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© 2008-2016 kdb-art All Rights Reserved

Four Years in WilderlandMaine Exhibit/Experience

An invitation to be curious.
How will the Kennebec River change in decades to come and what do those changes mean?
By the time the Kennebec gets to the City of Bath, it is met with the high and low tides from the sea and becomes brackish water. It then travels 10 nautical miles down river to the outgoing tide and meets the pounding surf at Popham Beach, then empties into the Gulf of Maine.
A Four Year study and Visual Narrative. This is an Interactive exhibit with Encaustic and Acrylic Paintings, Photographs, Topo-maps, Guides and a Discovery Table. The Wilderland and its treasures are here for you to explore. I am moving my ART Studio to this Exhibit!! I plan to be painting "Birds of the WIlderland"  on the easel and illustratiing my "Eye Spy" Series. 

Stop in while I am working. 

I will check in on Facebook when I am in the STUDIO/Gallery!

November 8th-

December 20th.2018

The Chocolate Church Art Gallery

GALLERY HOURS:

Tuesday, noon-4pm; Wednesday and Thursday, 10 a.m. to 4 p.m.;

Friday, noon-4 p.m.

804 Washington St.

Bath, Maine.

207-442-8455.

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Exhibit Experiences and Events.

Opening Night Thursday, November 8th 5.30-7.30

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November 15th. 7-8.30 PM. (Thursday) Wilderland Slideshow & Stories from The Wilderland Project

December 9th 2-5 (Saturday)  "EYE Spy" Children's Program, bring your crayons! 

December 19th (Wednesday) 6-8 Goodbye and Holiday Art Party 

December 20th Exhibit Closes.

November 9th-December 20th, I will be there most days, working in my on-site studio!

I am the "Artist in Residence",  and I will be in the Gallery/Studio painting Birds and working on the "EYE Spy Series" .

Check the Wilderland Facebook Page.  I will "check in" whenever I am at the Exhibit/Experience. I am looking forward to meeting you and visiting with you about this Project, nature, photography and my daily walking in the Wilderland, which can lead to happiness from within!

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The Wilderland Project is featured in

Downeast Magazine ~  November 2018 

CLICK TO READ!!

The Wilderland Project has just begun the fourth year! When you buy art or photography from this collection you are directly supporting this Kennebec River Watershed, Climate Change Project.

Caring for your Encaustic Art.

This piece of art was created with

Beeswax + Damar Resin and Pigments.

Encaustic (to paint with fire) is a process/Technique

of painting that is 4000 years old.

 

How to care for your Encaustic Painting:

Keep out of direct sun, like any piece of art.

Do not leave in a hot car, ever.

Wrap with wax paper and put between two pieces of cardboard if you need to ship or move your piece, this will keep it from becoming scratched.

This piece is made of wax, it will chip and scratch if it comes into contact with hard edged objects.

Every few months polish your piece with the balls of your fingers, it will bring up a sheen that can be reflective and shiny.

Thank you.

I appreciate your support of the arts.

kdb

Maine Encaustic Artist kdb and Encaustic Art.

Encaustic Painting is a medium that is 4000 years old. It is true alchemy. Bees Wax mixed with Damar Resin+ Pigments, heated to 200 degrees, making it liquid. Many layers of heated encaustic medium and pigments are applied with a natural bristle brush, it is then fused with a heat gun, painting layer upon layer until the piece is finished. All of my work is done on Cradled Birch Board as Encaustic needs a firm, non-bendable substrate or the wax will crack. Some pieces are carved right into the wax creating Encaustic Etchings.

Nature is my Muse and molten Bees Wax is one of my favorite mediums.

I became interested in Encaustic painting in 2008. I studied for several years and started Encaustic Painting in 2010. I am in love with this very warm, medium that smells like honey. It is always a joy to be in my Encaustic Studio.

Over the years I have discovered many things about painting with hot wax. Layers and layers of Encaustic medium and pigments, fused one on top of the next to create a depth that I have not found in other mediums. I like the mysterious look of graphite particles suspended in clear medium layered over a creamy or stark white background. I have also played and worked with the melding of two mediums, embedding photographs or doing photo transfers with my images. The effect is stunning and always a bit of a surprise, depending on the image. I have also created very large pieces, 4ftx2ft, which is 8 sq. ft. of wax.

Etching into the somewhat cooled wax is something I really love. I use a fine needle like tool to scratch onto the surface of the wax. Sometimes I then add Oil Pastel into the crevices and also onto the surface to create the tight scenes of birds, bees, trees and other inspirations from the natural world.

I have been studying, creating and showing my Encaustic Artwork for almost a decade here in Maine.

kdb - Maine Encaustic Artist.